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AMD 5000 Series Ryzen 5 5600X Desktop Processor 6 cores 12 Threads 35 MB Cache 3.7 GHz Upto 4.6 GHz Socket AM4 500 Series Chipset (100-100000065BOX)
AMD 7000 Series Ryzen 9 7900X Desktop Processor 12 cores 24 Threads 76 MB Cache 4.7 GHz Up to 5.6 GHz Socket AM5, 600 Series Chipset (100-100000589WOF)
AMD Ryzen™ 7 5700G Desktop Processor (8-core/16-thread, 20MB Cache, up to 4.6 GHz max Boost) with Radeon™ Graphics
FINGERS 1080 Hi-Res Webcam with 1080P Wide Angle Lens&Built-in USB Mic
Intel CORE I3-12100F Desktop Processor Core Up to 4.3 GHz Turbo Frequency LGA1700 Socket 600 Series
Intel Core I5 12400F 12 Gen Generation Desktop Pc Processor 6, CPU with 18Mb Cache and Up to 4.40 Ghz Clock Speed Ddr5 and Ddr4 Ram Support Lga 1700 Socket, Micro ATX
Intel Core i5-12400 Desktop Processor 18M Cache, up to 4.40 GHz
Intel Core I5-14400F Desktop Processor Fc-Lga16A 10 Cores(6 P-Cores + 4 E-Cores) Up to 4.7 Ghz
Intel Core i7-14700F Desktop Processor PGA LGA1700 20 Cores (8 P-Cores + 12 E-Cores) Up to 5.4 Ghz
Logitech C270 Digital HD Webcam
RAPOO WEBCAM C200
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.
